Eighth season of the Washimo series.

Third season of Wangu Xian Qiong.

“Beastar”—a title awarded to beasts who prove their excellence through fighting inequality to unite carnivores and herbivores in an anthropomorphic animal society. Cherryton Academy has gone five years without one such leader. However, following the murder of an alpaca within the school boundaries, the growing tension between the different species poses a greater need for a Beastar to ensure peace and harmony. When Louis, the prime candidate for this prestigious role, rejects the offer and leaves the academy, the student council declares to honor any student who captures the culprit of the aforementioned murder as Beastar. Meanwhile, Legoshi’s sense of duty as a strong wolf who must protect the weak pushes him to investigate the incident. To further complicate his life, he struggles to manage his complex feelings for the white rabbit, Haru. [Written by MAL Rewrite]

All his life, Shiki has been surrounded by machines. At Granbell Kingdom, a long-abandoned amusement park, he is the only one of his kind around. That is, until Rebecca Bluegarden and her feline companion Happy arrive, unaware that they are Granbell’s first visitors in one hundred years. Their goal is to make fun videos for their B-Cube channel, but what they find instead is a friend in the socially awkward Shiki. When Granbell becomes too dangerous for the three of them, they set off on an adventure through the Sakura Cosmos. They hope to make more interesting videos and even find the elusive goddess Mother, while Shiki wants to make more friends, spurred on by the words of his late grandfather. Of course, the journey will not be easy, as no one has seen Mother before, but Shiki is determined to reach his goal and explore the boundless reaches of space together with his new friends. [Written by MAL Rewrite]

Home to countless street acts and performances, Veludo Way attracts those interested in watching professional actors. After receiving a mysterious letter, Izumi Tachibana arrives at the venue where her father directed a once-popular theater group, Mankai Company, but learns that the building is about to be repurposed due to excessive debt. At the last minute, she convinces the debt collector to give the ensemble one more chance. He is willing to accept but on three conditions: their debut show must be successfully produced by the following month, the four all-male sub-troupes must be reinstated, and the debt must be paid off within a year. To top it off, Izumi herself must become the director. With no time to lose, Izumi quickly gathers five people for the Spring Troupe: Sakuya Sakuma, an enthusiastic high school student; Masumi Usui, a boy infatuated with Izumi; Tsuzuru Minagi, an aspiring playwright; Itaru Chigasaki, a mature office worker; and Citron, a friendly foreigner. Though they have little or no experience in acting, it’s up to Izumi to train and prepare them for a performance that will restore Mankai Company to its former glory. [Written by MAL Rewrite]

Second season of Hataraku Maou-sama!

People fall in love in the most mysterious of ways. This statement seems to be especially true for the affluent genius playboy Ryou Amakusa. When he nearly falls off the stairs one rainy morning, a girl named Ichika Arima saves him. As if by fate, Ryou encounters Ichika again later that night; she happens to be the best friend of his little sister, Rio. Wanting to “thank” her, Ryou attempts to woo Ichika by employing his usual flirtatious tactics only to be immediately shot down, his target creeped out by his behavior. Rather than being discouraged, Ryou instead becomes more enthralled by her, and he begins to do everything he can to steal Ichika’s heart despite receiving disgusted reactions each time. However, as time passes by, will Ichika remain repulsed by Ryou’s creepy yet dedicated advances? [Written by MAL Rewrite]

A gag comedy aimed at young children featuring Zombie-kun, a child zombie, and his interactions with the world. It’s not intended to be scary in the slightest, but rather, it focuses on the comical and bizarre things Zombie-kun’s body can do, and the common-sense-defying way Zombie-kun behaves. For example, he’ll take out his stomach and inflate it with air to use as a pillow, or if he gets wet, he’ll detach parts of his body and wring them out like towels, then reattach them with a glue stick. Everything is depicted in a cute, cartoony fashion so as not to be too graphic for kids. (Source: Baka-Updates)